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Posted by Zeeev on 2009-03-26 01:55:37
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The Goodwood Festival of Speed celebrated its 25th anniversary in electric style…
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The Goodwood Festival of Speed celebrated its 25th anniversary in electric style with all eyes focused on battery-powered vehicles. #LiveWire
‘This bike is absolutely incredible and the power delivery is phenomenal!’ said Gemma Harrison with a huge smile on her face after her first spin.
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Hands of Portrait of Abigail Smith Babcock (Mrs. Adam Babcock)
Abigail Smith Babcock (Mrs. Adam Babcock)
•Copley, John Singleton
•American, 1738-1815
•c. 1774
•Oil on Canvas
•Dimensions:
oOverall: 116.8 × 90.8 cm (46 × 35¾ in.)
oFramed: 140.3 × 115.9 × 7 cm (55¼ × 45⅝ × 2¾ in.)
•Gift of Mrs. Robert Low Bacon
•1985.20.1
•On View
Provenance
Edwin A. Blake [1847-1928], the sitter’s great-grandson;[1] sold 1916 to (Macbeth Galleries, New York);[2] purchased 1917 by Alice Greenwood Chapman, Milwaukee [1853-1935];[3] repurchased by (Macbeth Gallery, New York); sold 25 February 1919 to Arthur Meeker [1866-1946], Chicago.[4] Fannie Morris Babcock Murray [Mrs. Henry Alexander Murray, 1858-1940], New York;[5] her daughter, Virginia Murray Bacon [Mrs. Robert Low Bacon, 1890-1980], Washington, D.C.;[6] gift 1985 to NGA.
1.Stephen Babcock, Babcock Genealogy, New York, 1903: 219; Wilkins Updike, A History of the Episcopal Church in Narragansett, Rhode Island, 2nd ed., Boston, 1907: 2: v; on Blake see the Journal of the Eightieth Session of the New York East Annual Conference of the Methodist Episcopal Church, Bridgeport, Connecticut, 1928: 665-667. The painting shares most of its history with the portrait of Adam Babcock [NGA 1978.79.1].
2.Macbeth Gallery Papers, Archives of American Art, Washington, correspondence with Arthur Meeker, 16 January 1919. See also “Copley Portraits Sold,” The New York Times (30 December 1916).
3.Macbeth Gallery Papers, Archives of American Art, Washington, correspondence with Miss Chapman, 14 January to 19 June 1917. Miss Chapman made a first payment on the portrait and its pendant of Mr. Babcock in January 1917, but she changed her mind about the purchase. On Miss Chapman, a Milwaukee art patron and collector, see the Milwaukee Journal for 27 April 1935 (obituary) and 12 May 1935.
4.Meeker, vice-president of Armour & Co. and a collector of American art, is listed in Who Was Who in America 2 (1943-1950, fourth printing 1946), 367; his obituary is in The New York Times (6 February 1946): 23. This painting and eight other American portraits in his collection were illustrated in an article by Henry Van Horn, “Arts and Decoration,” Town and Country 77, no. 3801 (20 February 1921): 22-30; the painting is discussed on 22 and reproduced on 29. Although he offered to sell the portraits back to Macbeth in June 1925, there is no record in the Macbeth Gallery papers that they were repurchased (Macbeth Gallery Papers, Archives of American Art, Correspondence).
5.Babcock 1903, 520; obituary, The New York Times (3 June 1940): 15; Mrs. Murray was a descendant of the sitter’s brother Henry Babcock. According to Barbara Neville Parker and Anne Bolling Wheeler, John Singleton Copley, American Portraits, Boston, 1938: 30, she acquired the portrait about 1930.
6.Babcock 1903, 520; obituary, The New York Times (26 February 1980), reprinted in The New York Times Biographical Service 11, no. 2 (February 1980): 161. Adrian Lamb painted a copy of this portrait in 1979.
Exhibition History
•1917—An Exhibition of Early American Paintings, Museum of the Brooklyn Institute of Arts and Sciences, 1917, no. 9.
•1976—Copley, Stuart, West in America & England, Museum of Fine Arts, Boston, 1976, no. 15.
•1991—Ralph Earl: The Face of the Young Republic, National Portrait Gallery, Washington, D.C.; Wadsworth Atheneum, Hartford; Amon Carter Museum, Fort Worth, 1991-1992, 104-106, no. 3.
•1998—John Singleton Copley and Margaret Kemble Gage: Turkish Fashion in 18th-Century America, Timken Museum of Art, San Diego; Canton Museum of Art, Ohio, 1998-1999, no. 8, repro.
Posted by Autistic Reality on 2018-01-22 21:16:42
Tagged: , John Singleton Copley , c. 1760-1778 , America , Art , American Art , NGA , Gallery , National Gallery , USA , US , United States of America , United States , Architecture , Inside , Interior , Indoors , Building , Structure , District , DC , District of Columbia , DMV , Columbia , Washington DC , Washington , City of Washington , National Mall , Mall , Museum , National Gallery of Art , Landmark , West Building , National Mall and Memorial Parks , John Russell Pope , Neoclassical Style , Neoclassical , Art Museum , Art Gallery , 2018
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Blow your mind not your budget with the Iron 883™, now with £800 off for a limit…
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P5080965
The clock tower of the Milwaukee City Hall fronts the majestic Flemish Renaissance Revival style building that stands on a narrow wedge of land between Water (left) and Market Sts, with Wells St cutting across the front, downtown Milwaukee, WI.
Milwaukee City Hall was designed by architect Henry C. Koch and built between 1891 and 1895. The foundation consists of 2,584 white pine piles that were driven into the marshy land surrounding the Milwaukee River. The building required eight million bricks, weighs approximately 41,000 tons, has more than 47,000 sq. feet of mosaic and marble flooring, and features approximately 107,000 sq. feet of office and meeting space. The building was one of the first to feature an extensive open atrium, of 20 by 70 feet, rising eight stories in the building’s centre. The building measures 393 feet from the base of the bell tower to the top of the flagpole, making it Milwaukee’s sixth largest. It was Milwaukee’s tallest building until completion of the First Wisconsin Center in 1973. The upper part of the tower was rebuilt after a fire in October 1929. The 22,500 pound bell – named "Solomon Juneau" after Milwaukee’s first mayor – was fabricated from melted copper and tin from old church and firehouse bells around the City, and was hoisted to the tower in 1896, first chiming on New Year’s Eve. While Milwaukee’s Allen-Bradley building (Rockwell Automation) features the world’s second largest four-sided clock, City Hall’s 18-foot clock was believed to be the world’s third largest when it was fabricated.
City Hall was the marketing symbol of Milwaukee until the completion of the Calatrava wing of the Milwaukee Art Museum in 2001, but the bell tower continues to be used as a municipal icon and in some traffic and parking signs. Formerly the tower had a Welcome Milwaukee Visitors message on the front three sides; this was one of the iconic images of the opening sequence for locally-set "Laverne & Shirley" television program.
From 2006 to 2008, the entire building was renovated, including a complete dis-assembly and reassembly of the bell tower. Before the restoration began, the bell was rung rarely because of seismic concerns, and in the last few years an assembly of scaffolds with protective coverings had been in place around the building to protect pedestrians from falling stone and brickwork.
Posted by gloriazvillis on 2017-07-16 09:10:02
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Kevin Owens won an eight man tag with Peyton Royce with the STF in green bay… …
Kevin Owens won an eight man tag with Peyton Royce with the STF in green bay… wait milwaukee
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28 Reasons Why People Like Paint Night Portland Maine | paint night portland maine
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BOSTON — Two weeks ago, Celtics amateur Robert Williams was on his way to Portland, Maine, for what was accepted to be an continued run with the G-League Red Claws so he could get some account alfresco of the awash Boston frontcourt.
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Four injuries to associates of that frontcourt later, Williams was on the attic for crunch-time account Wednesday night in what was ultimately a bootless improvement bid adjoin the Phoenix Suns at TD Garden.
While Williams acquitted himself absolutely able-bodied in the time with eight points, eight rebounds and bristles blocked shots in 24 account off the bench, the assurance on the 21-year-old amateur was not acceptable as the Suns addled for 21 abhorrent rebounds in a 111-103 stunner.
“It break people’s spirit,” Kyrie Irving said afterwards the additional beeline setback. “(Giving up) abhorrent rebounds, accepting new possessions, second-chance points.”
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Not that Irving was blaming Williams. Absolutely the contrary, he angry his criticism on the blow of the aggregation for not acumen in the moment that Williams is not a acclimatized adept like an Aron Baynes, an Al Horford, or a Marcus Morris. While Williams has showed he is able of authoritative the amazing comedy on aegis – blocking Anthony Davis alert in a bold two weeks ago and alert now accepting bristles blocks in a bold – that aggressiveness can leave him out of position to accomplishment off the arresting possession.
“With Rob, I anticipate that he’s 21 years old,” Irving said. “We apprehend a lot out of Rob. But additionally there’s a acquirements ambit for him. He does a lot of abundant things already. I anticipate the sky’s the absolute for his abeyant and what he brings to our aggregation – obviously, accepting added repetitions at this point, creating a lot of lob opportunities at the rim, as able-bodied as accepting blocks and attention the paint.
“But us, as guards, aback we’re missing guys we accept to advice Rob airy as well. He’s battling and activity for every block. Our anemic side, and abolition in, and allowance him out, is aloof as important as him rebounding. So we, as a team, accept to awning for anniversary other.”
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That is article the Celtics did not do abundant with Horford (patellofemoral affliction syndrome), Morris (knee tendinitis) and Guerschon Yabusele (sprained ankle) out of activity to alpha Wednesday’s game, and again accident Baynes to a burst fourth larboard metacarpal in the aboriginal two account of the night. With Baynes now accepted to absence about a ages afterwards accepting anaplasty on his hand, Horford disqualified out and Morris ambiguous for Friday night’s showdown vs. the Milwaukee Bucks, the Celtics will accept to go aback to the blazon of aggregation airy and advice aegis they acclimated afore the accession of Baynes and Morris aftermost season.
“It’s a absolute concern,” said Celtics drillmaster Brad Stevens, who should at atomic accept Yabusele aback afterwards he absent the accomplished bristles games.
Williams is accomplishing his best to abide ashore while actuality advance into the fire.
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“Not a acceptable afterimage for us alive how abundant we charge Baynes,” he said. “But next-man-up mentality. You’ve aloof got to be ready.”
While his acute athleticism and leaping adeptness acquiesce Williams the adeptness to challenge shots from the acrylic all the way out accomplished the 3-point band on a switch, he said he knows activity for the block isn’t consistently the advisable best on every possession.
“That’s aloof article that I charge to assignment on defensively,” he said. “When to go, aback to stunt, aback to break with my man. So, in due time, I’ll apprentice it.”
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In the meantime, the amateur will acceptable accept to apprentice on the fly during a amplitude of the team’s highest-profile amateur of the approved season. It’s a abstraction affair that injuries accept affected to acceleration up appreciably over the accomplished two weeks, but one in which Williams has done an admirable job of befitting up with to this point.
“I anticipate he’s showed himself able-bodied these aboriginal brace of months of the season,” Stevens said, “from area what maybe I would accept accepted from the actual alpha of the year, and absolutely in the summer. So that’s encouraging.”
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The post 28 Reasons Why People Like Paint Night Portland Maine | paint night portland maine appeared first on Painter Legend.
Posted by painterlegend on 2018-12-26 06:54:14
Tagged: , paint , night , portland , maine , nite
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RT @jackeichsays: July 16, 2000: Loren Roberts won the Greater Milwaukee Open in…
RT @jackeichsays: July 16, 2000: Loren Roberts won the Greater Milwaukee Open in record style at Brown Deer Golf Course. -24 (260) broke Ca…
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